When I ask Ellie Bamber for the names of some of the actresses she admired growing up, her answer unintentionally provokes a giggle. “Definitely Nicole Kidman,” she starts. “Moulin Rouge was one of those films that I watched as a kid and was like ‘Oh my god, that’s what I want to do.’ And I love Emma Stone, I think she’s a really amazing actress.” I pause, waiting for the moment of recognition, then laughing, point out the common theme of red hair, shared also by Ellie. All at once, she’s surprised and apologetic, almost as if it didn’t occur to her. “That’s so weird, sorry!” She nervously laughs. “When I was a kid, I was blonde. I’m naturally blonde. It’s weird how as a kid I was already gravitating towards that – that’s funny actually.”

Real or not, Ellie Bamber is a redhead rising through the ranks, her signature strawberry-blonde hair a striking point of difference from many of her peers. It’s this hair that would have played at least a small part in snagging her career-making role in Tom Ford’s haunting 2016 thriller Nocturnal Animals, where she joined a flame-haired acting trifecta completed by Amy Adams and Isla Fisher. After a disturbing, but powerful performance as a daughter on a doomed family road trip, it sparked excited murmurs surrounding the Berkshire-born newcomer. But hair is just one thing. Talent is another.

And talent is something that Ellie has in buckets. She’s been lauded as somewhat of an industry chameleon, seamlessly embodying all manner of roles. Pre-Nocturnal Animals, there was Pride and Prejudice and Zombies, a comic, feminist, gore-filled riff on the Jane Austen classic which saw her train for two months in martial arts. Last year, she made her much-celebrated Donmar Theatre debut for a modern adaptation of the famous Henrik Ibsen play, The Lady from the Sea. In 2017, after the visuals for Shawn Mendes’ hit “There’s Nothing Holdin’ Me Back” were released, fans went into a frenzy investigating the identity of his music video love interest – played convincingly by Bamber, a free-spirit in the early raptures of love.

A stint as Tom Ford’s muse means that her style – which she describes as “a combination of classic, pretty things, and street style” – has also snagged her opportunities such as being appointed as a Chanel ambassador. Casual. She’s also the lead in upcoming project, Taipei (High Resolution), a love-in-the-age-of-social-media tale, about “a couple who takes loads of drugs together, film themselves and put it out on the internet.” Currently, she’s speaking to me over the phone from Brazil, where she’s shooting a harrowing abduction true story, The Seven Sorrows of Mary, which she calls a “tough” but also “really important piece of work.”
Read more

I added the gallery, promotional photos and cover of Annoy the Boy, you can check them by clicking the thumbs below. Enjoy!

Annoy the Boy: Promotional Photos

Annoy the Boy: Cover

Annoy the Boy is a singer/songwriter duo of Ellie Bamber and Harry Fannon based in North Hampshire and they have been performing together since they were just 12 years old and writing original songs ever since. I believe the duo is over, but in 2014 they released their first and only EP with original songs composed by the two. You can hear it below.

Rush

Fade Away

Sonder

Leave Me

Buy Rush EP here.